发布时间:2010/04/10 04:05 | 更新时间:2011/11/21 15:24
简介: 简介:
资源码率:128K
发行公司:2007迷笛音乐节
专辑介绍:
第一次做MP3资源。有不对的地方还请宽宏大量!
这是我深夜清硬盘时找到的,文件夹里只有一张图片,然后上rapidshare下的。看见VC上没有就发上来了。
Andrew Pekler简介
Andrew Pekler出生於乌兹别克斯坦,随后与家人移民到美国,在加州的蒙特瑞定居,度过他的青少年时期。在90年代中期,Andrew Pekler到德国海德宝去上大学,并自2000年起在柏林工作并定居。
他的第一张实验专辑有四首曲目,在Sad Rockets moniker发行,也在Source Records(德国),Morbid(奥地利)以及 Matador(美国)出版了7吋黑胶唱片。他在B ergheim 34 团体的时期发行过一些单曲专辑,也在Klang Elektronik出版过一张专辑。他以自己的名字在˜scape发行过两张专辑Station to Station (2002) 与 Nocturnes, False Dawns and Breakdowns (2004),另外在Staubgold也出版了Strings + Feedback (2005)。
Andrew Pekler在欧洲,北美,日本以及澳洲都有单独或是与Kosmischer Pitch Groupshow共同的演出(团员是Jan Jelinek 与 Hanno Leichtmann)。
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After years busying himself with reduced glitchy jazz, electronic old-guarder Andrew Pekler has finally made the jump to US behemoth of all things post, Kranky. He s also experienced something of an epiphany and abandoned the lite-jazz which plagued much of his previous work in favour of something far more, well, kosmische. It s hardly surprising to learn that he (along with Static s Hanno Leichtmann) is part of Jan Jelinek s touring band, as Jan Jelinek s recent two albums are probably the best comparisons I can think of to Cue . Where Jelinek ventured into Popul Vuh territory, however, Pekler keeps his sound much more grounded. Cue is based on those old library music albums we all love to collect (at least, I do), you know the ones, they were made for TV and and Film producers to use when they were stuck for some original compositions and were usually made with a theme or a mood in mind. Music for laying the table for instance, or doing the dishes. you know what I mean I m sure. Pekler is quick to note that Cue is not a skit on the library music releases of the 70s, the intention was to create modern music with a similar purpose - music which starts from a defined idea and fashioned to fit into it. Sadly I don t have the album s sleeve so I can t really comment on whether this concept works out, but the music itself is pretty captivating. Taking a much more minimal direction than his previous efforts Pekler manages to force hissing grains out of his chosen instruments and inject a soul and a beating heart into what is intrinsically ambient music. Certainly I can hear how this music might be used in certain visual sequences, he has left it open to interpretation and nothing is busy enough or self indulgent enough to rem ve focus from the screen. Fans of Tim Hecker s moody ambience or the aforementioned shuffle of Jan Jelinek need to take a closer look at Cue , it s an assured, impressive piece of work.
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